AL COLOGNE (UK) ‘weaving personal history into something spacious and universal’
ALICE COSTELLOE (UK) ‘candid indie-pop tunes’
ALIEN BOY (US) ‘extremely catchy rock songs’
ASHNYMPH (UK) ´trance-inducing beats´
ATTICOMATIC (UK) ‘intense and beautiful harmonies’
BABE HAVEN (US) ‘high energy queer punk’
BATHING SUITS (UK) ‘always dancey, always loud, always sexy’
BENCHWARMER (UK) ‘emotionally driven songs’
BLACK NYLON (IRE) ‘indestructible anthems’
BOG BAND (IE) ‘heartfelt laptop soul’
BRAMWELL (UK) ‘warm and jangly pop songs’
BROOKI (IRE) ‘cinematic and raw’
BURGLAR (IRE) ‘an inescapably catchy slice of doom-pop’
CASUAL SMART (UK) ‘moon-soaked crooners’
CHILD OF PRAGUE (IRE) ‘a fusion of emo and traditional Irish folk-pop’
COMMON HOLLY (CA) ‘beautiful folk songs with a devastating edge’
COMPOST COMPOST COMPOST (UK) ‘exploratory electro-acoustic soundworlds’
COSIGN (GB-NIR) ‘immersive indie-electronic music’
CURIOSITY SHOP (UK) ‘honey dripping alt-folk’
DATE CAMP (DK) ‘Danish supergroup of Left of the Dial alumni’
DAUFØDT (NO) ‘a violent release of decibels’
ECHO NORTHSTAR (IRE) ‘celestial vocals with an oomph’
FLOODING (US) ‘slowcore at its finest’
FLOWERS FOR THE DEAD (US) ‘nineties-infused indie rock’
GARDENS (AT) ‘bright, warm and a little rough around the edges’
GIRLFRIEND. (IRE) ‘a cathartic explosion of sound’
GLASSHOUSE RED SPIDER MITE (UK) ‘intensely sensitive’
HILLSBORO (CA) ‘infectious nu-gaze’
HOLLY HEAD (UK) ‘exhilarating, restless and politically charged’
HUNGRY (UK) ‘insatiably catchy’
HYD (US) ‘radical vulnerability’
IMAGINARY HUSBAND (UK) ‘an unconventional wall of sound’
INSIDER TRADING (UK) ‘an emotional cacophony’
ISKANDR (NL) ‘Dutch medieval atmospheres’
JANA HORN (US) ‘serene melodies to ease a restless mind’
JJ BULL (UK) ‘football analyst turned hit writer’
LA FLEMME (FR) ‘a whirlwind of garage-pop’
LACUNA (UK) ‘layered melodies and rich story-telling’
LAWN CHAIR (US/DE) ‘chaotic synth-spiked punk’
LATTER (US) ‘impactful noise rock duo’
LEMONSUCKR (UK) ‘a blistering live performance’
LOTS OF HANDS (UK) ‘a warm lo-fi hug’
LTTL MORT (UK) ‘equal parts sweat and satire’
MAGASIN (NL) ‘dissonant music in a pop package’
MEK’DR’DR (BE) ‘The Fall meets Bananarama’
MELANIE BAKER (UK) ‘perfect pop grunge power’
MIDSCALE (FR) ‘luscious shoegaze á la Française’
MILO KORBENSKI (UK) ‘the magnificent masked musician’
MLEKO (UK) ‘who knows what kind of rock they’re making?’
MONKS (UK) ‘an alternative-electronic force’
MRY (UK) ‘intimate and expansive sounds’
NEVE CARIAD (UK) ‘compelling indie-folk’
NORMAL VILLAGE (UK) ‘oddly coordinated brilliance’
OSLO TWINS (UK) ‘infectious alt-pop synth tunes’
PERFECT BINDING (UK) ‘in between raw and refined’
PLAINHEAD (DE) ‘reflective soundscapes that say more than a thousand words’
PUSHBIKE (UK) ‘emo noise that brings nothing but joy’
PYNCHER (UK) ‘pleasantly disturbing’
RINGLETS (NZ) ‘incoherent poppy post-punk’
ROPEBURN (UK/IRE) ‘fluid post-rock inspired songs’
SCOTSTOWN DANCE BAND (UK) ‘unashamedly Highland with a modern indie twist’
SERENA CLARA (UK) ‘poetry pop nestled in rich textural soundscapes’
STOOP KID (BE) ‘somewhere between doo-wop and hip-hop’
THANK (UK) ‘It’s very sexy music, actually’
THE GUEST LIST (UK) ‘quicksilver tunes’
THE HEALING POWER OF HORSES (UK) ‘smothering electro shoegaze’
THE JUMP CUTS (US)‘polished, punchy and highly energetic’
THE SEWING CLUB (US)‘broody bedroom rock from Nashville’
TOKYO SEA DRAGONS (UK) ‘songs to love until the end of time’
TOOTH (UK) ‘urgent slacker emo’
TOUGH COOKIE (UK) ‘packed with grit, scuzzy guitars, a few tears’
TRIP WESTERNS (UK) ‘fuzzy garage rock with an irresistible twang’
TURNSPIT (UK)‘shape-shifty synth pop’
WESLEY & THE BOYS (US)‘all kinds of punk and rock-‘n-roll’
WING! (UK) ‘atmospheric dream pop with a trip hop feel’
ZILCHO HAMBLIN (UK) ‘beautiful baritone Americana’
AL COLOGNE (UK) ‘weaving personal history into something spacious and universal’
ALICE COSTELLOE (UK) ‘candid indie-pop tunes’
ALIEN BOY (US) ‘extremely catchy rock songs’
ASHNYMPH (UK) ´trance-inducing beats´
ATTICOMATIC (UK) ‘intense and beautiful harmonies’
BABE HAVEN (US) ‘high energy queer punk’
BATHING SUITS (UK) ‘always dancey, always loud, always sexy’
BENCHWARMER (UK) ‘emotionally driven songs’
BLACK NYLON (IRE) 'indestructible anthems'
BOG BAND (IE) ‘heartfelt laptop soul’
BRAMWELL (UK) ‘warm and jangly pop songs’
BROOKI (IRE) ‘cinematic and raw’
BURGLAR (IRE) ‘an inescapably catchy slice of doom-pop’
CASUAL SMART (UK) ‘moon-soaked crooners’
CHILD OF PRAGUE (IRE) ‘a fusion of emo and traditional Irish folk-pop’
COMMON HOLLY (CA) ‘beautiful folk songs with a devastating edge’
COMPOST COMPOST COMPOST (UK) ‘exploratory electro-acoustic soundworlds’
COSIGN (GB-NIR) ‘immersive indie-electronic music’
CURIOSITY SHOP (UK) ‘honey dripping alt-folk’
DATE CAMP (DK) ‘Danish supergroup of Left of the Dial alumni’
DAUFØDT (NO) 'a violent release of decibels'
ECHO NORTHSTAR (IRE) ‘celestial vocals with an oomph’
FLOODING (US) ‘slowcore at its finest’
FLOWERS FOR THE DEAD (US) ‘nineties-infused indie rock’
GARDENS (AT) ‘bright, warm and a little rough around the edges’
GIRLFRIEND. (IRE) ‘a cathartic explosion of sound’
GLASSHOUSE RED SPIDER MITE (UK) ‘intensely sensitive’
HILLSBORO (CA) ‘infectious nu-gaze’
HOLLY HEAD (UK) ‘exhilarating, restless and politically charged’
HUNGRY (UK) ‘insatiably catchy’
HYD (US) ‘radical vulnerability’
IMAGINARY HUSBAND (UK) ‘an unconventional wall of sound’
INSIDER TRADING (UK) ‘an emotional cacophony’
ISKANDR (NL) ‘Dutch medieval atmospheres’
JANA HORN (US) 'serene melodies to ease a restless mind'
JJ BULL (UK) ‘football analyst turned hit writer’
LA FLEMME (FR) ‘a whirlwind of garage-pop’
LACUNA (UK) ‘layered melodies and rich story-telling’
LAWN CHAIR (US/DE) ‘chaotic synth-spiked punk’
LATTER (US) ‘impactful noise rock duo’
LEMONSUCKR (UK) ‘a blistering live performance’
LOTS OF HANDS (UK) ‘a warm lo-fi hug’
LTTL MORT (UK) 'equal parts sweat and satire'
MAGASIN (NL) ‘dissonant music in a pop package’
MEK’DR’DR (BE) ‘The Fall meets Bananarama’
MELANIE BAKER (UK) ‘perfect pop grunge power’
MIDSCALE (FR) ‘luscious shoegaze á la Française’
MILO KORBENSKI (UK) ‘the magnificent masked musician’
MLEKO (UK) 'who knows what kind of rock they're making?'
MONKS (UK) ‘an alternative-electronic force’
MRY (UK) ‘intimate and expansive sounds’
NEVE CARIAD (UK) ‘compelling indie-folk’
NORMAL VILLAGE (UK) ‘oddly coordinated brilliance’
OSLO TWINS (UK) ‘infectious alt-pop synth tunes’
PERFECT BINDING (UK) ‘in between raw and refined’
PLAINHEAD (DE) ‘reflective soundscapes that say more than a thousand words’
PUSHBIKE (UK) ‘emo noise that brings nothing but joy’
PYNCHER (UK) ‘pleasantly disturbing’
RINGLETS (NZ) ‘incoherent poppy post-punk’
ROPEBURN (UK/IRE) ‘fluid post-rock inspired songs’
SCOTSTOWN DANCE BAND (UK) ‘unashamedly Highland with a modern indie twist'
SERENA CLARA (UK) ‘poetry pop nestled in rich textural soundscapes’
STOOP KID (BE) ‘somewhere between doo-wop and hip-hop’
THANK (UK) 'It’s very sexy music, actually’
THE GUEST LIST (UK) ‘quicksilver tunes’
THE HEALING POWER OF HORSES (UK) ‘smothering electro shoegaze’
THE JUMP CUTS (US)‘polished, punchy and highly energetic’
THE SEWING CLUB (US)‘broody bedroom rock from Nashville’
TOKYO SEA DRAGONS (UK) ‘songs to love until the end of time’
TOOTH (UK) ‘urgent slacker emo’
TOUGH COOKIE (UK) ‘packed with grit, scuzzy guitars, a few tears’
TRIP WESTERNS (UK) ‘fuzzy garage rock with an irresistible twang’
TURNSPIT (UK)‘shape-shifty synth pop’
WESLEY & THE BOYS (US)‘all kinds of punk and rock-‘n-roll’
WING! (UK) ‘atmospheric dream pop with a trip hop feel’
ZILCHO HAMBLIN (UK) ‘beautiful baritone Americana’