AL COLOGNE (UK) ‘weaving personal history into something spacious and universal’
ALICE COSTELLOE (UK) ‘candid indie-pop tunes’
ALIEN BOY (US) ‘extremely catchy rock songs’
ASHNYMPH (UK) ´trance-inducing beats´
ATTICOMATIC (UK) ‘intense and beautiful harmonies’
BABE HAVEN (US) ‘high energy queer punk’
BATHING SUITS (UK) ‘always dancey, always loud, always sexy’
BOG BAND (IE) ‘heartfelt laptop soul’
BRAMWELL (UK) ‘warm and jangly pop songs’
BURGLAR (IRE) ‘an inescapably catchy slice of doom-pop’
CASUAL SMART (UK) ‘moon-soaked crooners’
COMMON HOLLY (CA) ‘beautiful folk songs with a devastating edge’
CURIOSITY SHOP (UK) ‘honey dripping alt-folk’
DATE CAMP (DK) ‘Danish supergroup of Left of the Dial alumni’
FLOODING (US) ‘slowcore at its finest’
FLOWERS FOR THE DEAD (US) ‘nineties-infused indie rock’
GARDENS (AT) ‘bright, warm and a little rough around the edges’
IMAGINARY HUSBAND (UK) ‘an unconventional wall of sound’
INSIDER TRADING (UK) ‘an emotional cacophony’
ISKANDR (NL) ‘Dutch medieval atmospheres’
JJ BULL (UK) ‘football analyst turned hit writer’
LACUNA (UK) ‘layered melodies and rich story-telling’
LATTER (US) ‘impactful noise rock duo’
LEMONSUCKR (UK) ‘a blistering live performance’
LTTL MORT (UK) ‘equal parts sweat and satire’
MELANIE BAKER (UK) ‘perfect pop grunge power’
MIDSCALE (FR) ‘luscious shoegaze á la Française’
MILO KORBENSKI (UK) ‘the magnificent masked musician’
NEVE CARIAD (UK) ‘compelling indie-folk’
OSLO TWINS (UK) ‘infectious alt-pop synth tunes’
PLAINHEAD (DE) ‘reflective soundscapes that say more than a thousand words’
PUSHBIKE (UK) ‘emo noise that brings nothing but joy’
RINGLETS (NZ) ‘incoherent poppy post-punk’
SERENA CLARA (UK) ‘poetry pop nestled in rich textural soundscapes’
STOOP KID (BE) ‘somewhere between doo-wop and hip-hop’
THANK (UK) ”It’s very sexy music, actually’’
THE JUMP CUTS (US) ‘polished, punchy and highly energetic’
THE SEWING CLUB (US) ‘broody bedroom rock from Nashville’
TRIP WESTERNS (UK) ‘fuzzy garage rock with an irresistible twang’
TURNSPIT (UK) ‘shape-shifty synth pop’
WESLEY & THE BOYS (US) ‘all kinds of punk and rock-‘n-roll’
AL COLOGNE (UK) ‘weaving personal history into something spacious and universal’
ALICE COSTELLOE (UK) ‘candid indie-pop tunes’
ALIEN BOY (US) ‘extremely catchy rock songs’
ASHNYMPH (UK) ´trance-inducing beats´
ATTICOMATIC (UK) ‘intense and beautiful harmonies’
BABE HAVEN (US) ‘high energy queer punk’
BATHING SUITS (UK) ‘always dancey, always loud, always sexy’
BOG BAND (IE) ‘heartfelt laptop soul’
BRAMWELL (UK) ‘warm and jangly pop songs’
BURGLAR (IRE) ‘an inescapably catchy slice of doom-pop’
CASUAL SMART (UK) ‘moon-soaked crooners’
COMMON HOLLY (CA) ‘beautiful folk songs with a devastating edge’
CURIOSITY SHOP (UK) ‘honey dripping alt-folk’
DATE CAMP (DK) ‘Danish supergroup of Left of the Dial alumni’
FLOODING (US) ‘slowcore at its finest’
FLOWERS FOR THE DEAD (US) ‘nineties-infused indie rock’
GARDENS (AT) ‘bright, warm and a little rough around the edges’
IMAGINARY HUSBAND (UK) ‘an unconventional wall of sound’
INSIDER TRADING (UK) ‘an emotional cacophony’
ISKANDR (NL) ‘Dutch medieval atmospheres’
JJ BULL (UK) ‘football analyst turned hit writer’
LACUNA (UK) ‘layered melodies and rich story-telling’
LATTER (US) ‘impactful noise rock duo’
LEMONSUCKR (UK) ‘a blistering live performance’
LTTL MORT (UK) 'equal parts sweat and satire'
MELANIE BAKER (UK) ‘perfect pop grunge power’
MIDSCALE (FR) ‘luscious shoegaze á la Française’
MILO KORBENSKI (UK) ‘the magnificent masked musician’
NEVE CARIAD (UK) ‘compelling indie-folk’
OSLO TWINS (UK) ‘infectious alt-pop synth tunes’
PLAINHEAD (DE) ‘reflective soundscapes that say more than a thousand words’
PUSHBIKE (UK) ‘emo noise that brings nothing but joy’
RINGLETS (NZ) ‘incoherent poppy post-punk’
SERENA CLARA (UK) ‘poetry pop nestled in rich textural soundscapes’
STOOP KID (BE) ‘somewhere between doo-wop and hip-hop’
THANK (UK) ''It’s very sexy music, actually’'
THE JUMP CUTS (US) ‘polished, punchy and highly energetic’
THE SEWING CLUB (US) ‘broody bedroom rock from Nashville’
TRIP WESTERNS (UK) ‘fuzzy garage rock with an irresistible twang’
TURNSPIT (UK) ‘shape-shifty synth pop’
WESLEY & THE BOYS (US) ‘all kinds of punk and rock-‘n-roll’