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PONS (US)

"from gritty, grungy, garage rocky riffs and sparkly guitar work, all the way to upbeat, sporadic, blazing drums and noisy bits"

Bio provided by artist:
Rock n’ Roll will never be a lazy game. PONS is here to set the record straight.

Following in the footsteps of the masters of the road that came before them, PONS’ takes a relentless, ‘NO MERCY’ approach to DIY touring. Burning more calories on stage in one night than most bands do in one year, PONS is an undeniable first of sound heading for the throat of culture.

Transitioning from a conventional band to the solo project of visionary frontman and founding member Jack Parker in 2024, PONS has been confronting audiences with blood-pumping electronic dance punk that is as immediately captivating as it is angular, aggressive, and in-your-face.

No life is spared at a PONS show. Supporting notable acts such as Gogol Bordello, Lambrini Girls, Laura Jane Grace, Geese, Vundabar, and A Place To Bury Strangers, PONS leave it all to bear on stage; a deluge of smashed gear, contorting bodies, bright lights, throttling beats, and glam rock bravado.

Taking cues from artists like Iggy Pop, Suicide, LCD Soundsystem, and Crystal Castles, PONS spew the digital bile of our dystopic, internet-fuled hellscape right at the listener; simultaneously embracing and deriding rock n’ roll’s most brash and over-the-top tropes.

The ‘lost’ PONS album ‘Heavens to Peter’ is releasing on tape in September 2025 via Dedstrange Records (a new label run by Oliver Ackermann of A Place To Bury Strangers & Death By Audio). Recorded with a previous iteration of the band, Heavens to Peter is a righteous conclusion of the ‘old’ guitar-driven PONS sound.

BEAR WITNESS TO PONS.

Bio provided by artist:
Rock n’ Roll will never be a lazy game. PONS is here to set the record straight.

Following in the footsteps of the masters of the road that came before them, PONS’ takes a relentless, ‘NO MERCY’ approach to DIY touring. Burning more calories on stage in one night than most bands do in one year, PONS is an undeniable first of sound heading for the throat of culture.

Transitioning from a conventional band to the solo project of visionary frontman and founding member Jack Parker in 2024, PONS has been confronting audiences with blood-pumping electronic dance punk that is as immediately captivating as it is angular, aggressive, and in-your-face.

No life is spared at a PONS show. Supporting notable acts such as Gogol Bordello, Lambrini Girls, Laura Jane Grace, Geese, Vundabar, and A Place To Bury Strangers, PONS leave it all to bear on stage; a deluge of smashed gear, contorting bodies, bright lights, throttling beats, and glam rock bravado.

Taking cues from artists like Iggy Pop, Suicide, LCD Soundsystem, and Crystal Castles, PONS spew the digital bile of our dystopic, internet-fuled hellscape right at the listener; simultaneously embracing and deriding rock n’ roll’s most brash and over-the-top tropes.

The ‘lost’ PONS album ‘Heavens to Peter’ is releasing on tape in September 2025 via Dedstrange Records (a new label run by Oliver Ackermann of A Place To Bury Strangers & Death By Audio). Recorded with a previous iteration of the band, Heavens to Peter is a righteous conclusion of the ‘old’ guitar-driven PONS sound.

BEAR WITNESS TO PONS.




FRIDAY | WATERFRONT | 16.50

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Pop Music Fever Dream (US)

"Urgent, inflammatory queer post-punk"

Bio provided by artist:
Pop Music Fever Dream is a queer post-punk/no wave band from New York City. Their sound harkens back to the ‘70s NYC no wave movement and American post-punk movement of the ‘80s that is both wildly invigorating and deeply sobering.

The band started as a solo project by multi-instrumentalist Tim Seeberger in 2022 as a marriage of their anger towards the disastrous effects of modern life and their love for those affected by it to create a sound of hope. Today, PMFD includes Nicole Harwayne (guitar), Carmen Castillo (bass, second vocals) and Violette Grim (drums).

The four-piece is one of the best live acts in New York right now, where each performance looks and sounds like the band is about to explode right in front of you. Tim commands the room and demands people’s presence while climbing on whatever fixture they can, and the band creates an enrapturing wall of sound that backdrops their chaotic live experience.

They’ve just released 2024’s “Songs For Emotion” EP on vinyl via Insecurity Hits.

Pop Music Fever Dream have also opened for Sunflower Bean, A Place to Bury Strangers, Ekko Astral and Home is Where. This November, they will embark on a tour of the Southern U.S. with Pure Adult.

Bio provided by artist:
Pop Music Fever Dream is a queer post-punk/no wave band from New York City. Their sound harkens back to the ‘70s NYC no wave movement and American post-punk movement of the ‘80s that is both wildly invigorating and deeply sobering.

The band started as a solo project by multi-instrumentalist Tim Seeberger in 2022 as a marriage of their anger towards the disastrous effects of modern life and their love for those affected by it to create a sound of hope. Today, PMFD includes Nicole Harwayne (guitar), Carmen Castillo (bass, second vocals) and Violette Grim (drums).

The four-piece is one of the best live acts in New York right now, where each performance looks and sounds like the band is about to explode right in front of you. Tim commands the room and demands people's presence while climbing on whatever fixture they can, and the band creates an enrapturing wall of sound that backdrops their chaotic live experience.

They've just released 2024's "Songs For Emotion" EP on vinyl via Insecurity Hits.

Pop Music Fever Dream have also opened for Sunflower Bean, A Place to Bury Strangers, Ekko Astral and Home is Where. This November, they will embark on a tour of the Southern U.S. with Pure Adult.




THURSDAY | ROODKAPJE FRONT | 22.40

FRIDAY | WORM 2 | 18.40

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little grandad (UK)

"The new Big Star(s) on the horizon"

Bio provided by artist:

Americana-indie with a twist: shades of The Band and the 90s alt-country greats, shot through with power-pop urgency. Four-part harmonies, brass bursts, and songs that flip from half-time to double-time. 

A mainstay on the windmill scene, Little Grandad is fast becoming one of London’s most talked-about new bands with a live show that’s equal parts chaos and chemistry.

Bio provided by artist:




SATURDAY | V2_ | 16:40

SATURDAY | ROODKAPJE - FRONT | 23:20

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Ain’t (UK)

"a wonderful dose of loud-quiet-loud"

Bio provided by artist:
Ain’t is Hanna Baker Darch, George Ellerby, Ed Randall, Joe Lockstone, and Isaac Griffiths. Ed and George formed the band over a shared love of the stranger end of ‘90s guitar music, and the band’s other members joined shortly after.

Following a busy year of gigging around London in 2023, Ain’t released ‘Oar’ and ‘Teething’ throughout 2024 and received praise from the likes of Dork, So Young, Clash, and were made a ‘best new artist of 2024’ by Stereogum.

Ain’t continue to capitalise on their reception moving into 2025 having completed a UK tour with US band Thus Love and the release of ‘Pirouette’, with Clash magazine describing the track as ‘re-contextualising 90s alt-rock tropes, their melodic appeal shines through. Perfect for sunny Spring days, Ain’t leave the production a little torn and tattered, giving the track a DIY effect’.

Moving between the tender and morose to the blistering and explosive, the band’s sound is underpinned by evocative lyrics exploring subjects from 18th century smut to 80’s horror films.

Bio provided by artist:
Ain’t is Hanna Baker Darch, George Ellerby, Ed Randall, Joe Lockstone, and Isaac Griffiths. Ed and George formed the band over a shared love of the stranger end of ‘90s guitar music, and the band’s other members joined shortly after.

Following a busy year of gigging around London in 2023, Ain’t released ‘Oar’ and ‘Teething’ throughout 2024 and received praise from the likes of Dork, So Young, Clash, and were made a ‘best new artist of 2024’ by Stereogum.

Ain’t continue to capitalise on their reception moving into 2025 having completed a UK tour with US band Thus Love and the release of ‘Pirouette’, with Clash magazine describing the track as 're-contextualising 90s alt-rock tropes, their melodic appeal shines through. Perfect for sunny Spring days, Ain’t leave the production a little torn and tattered, giving the track a DIY effect'.

Moving between the tender and morose to the blistering and explosive, the band’s sound is underpinned by evocative lyrics exploring subjects from 18th century smut to 80’s horror films.




FRIDAY | ANNABEL UP | 20.20

SATURDAY | ROODKAPJE EXPO | 16.00

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Sean Trelford (UK)

"refreshing ragged pop songs"

Bio provided by artist:
Sean Trelford writes songs of love, obsession, rejection, isolation and not fitting in. Making music has been the 19-year-old’s life since his mother – ‘a crazy, lovely Latin lady from Chile,’ laughs Trelford with affectionate pride – first sat him down at a piano at the age of 3, but it was always supposed to be an extra curricular activity. ‘We kind of had the ruler piano thing going on growing up,’ says Trelford of the regimented music lessons he and his older brother endured and enjoyed in a home where his parents would play The Beatles as much as Chopin, and Rachmaninoff as often as ELO. 

Picking up guitar at 7 and drums at 9 – learning all three instruments to the highest grade possible – creating music became Trelford’s only interest by the time he was a teenager, yet still he presumed his career would lie elsewhere, perhaps within his passion for literature. ‘Lots of people make art to make money, I was kind of making music to not make money,’ he says. ‘You have to be self indulgent and slightly selfish, because everyone is in their own head, so if you make music for yourself then it’s actually for everyone else.’

His latest single ‘Naked’ is a song of raw, lived-through emotion that nevertheless refuses to wallow and can just as easily be admired for its heart-stopping transition from psychedelic merry-go-round to alt-rock primal screamer that recalls The Bends-era Radiohead. Ending on the distorted sound of Trelford crying, ‘Naked’ is the story of feeling used from a teenage situationship and a protest about childhoods lost to an unregulated Internet that distributed pornography to a generation.

With the benefit of hindsight, it was perhaps inevitable that an artist as considered and skilled as Sean Trelford would end up making a career out of music, however much he initially resisted it, or indeed because he resisted it. Virtuosos like him don’t stay hidden for long, even if it’s an argument that he’ll modestly push away. ‘You don’t have to be the cleverest person on the planet 

Bio provided by artist:
Sean Trelford writes songs of love, obsession, rejection, isolation and not fitting in. Making music has been the 19-year-old’s life since his mother – ‘a crazy, lovely Latin lady from Chile,’ laughs Trelford with affectionate pride – first sat him down at a piano at the age of 3, but it was always supposed to be an extra curricular activity. ‘We kind of had the ruler piano thing going on growing up,’ says Trelford of the regimented music lessons he and his older brother endured and enjoyed in a home where his parents would play The Beatles as much as Chopin, and Rachmaninoff as often as ELO.

Picking up guitar at 7 and drums at 9 – learning all three instruments to the highest grade possible – creating music became Trelford’s only interest by the time he was a teenager, yet still he presumed his career would lie elsewhere, perhaps within his passion for literature. ‘Lots of people make art to make money, I was kind of making music to not make money,’ he says. ‘You have to be self indulgent and slightly selfish, because everyone is in their own head, so if you make music for yourself then it’s actually for everyone else.’

His latest single ‘Naked’ is a song of raw, lived-through emotion that nevertheless refuses to wallow and can just as easily be admired for its heart-stopping transition from psychedelic merry-go-round to alt-rock primal screamer that recalls The Bends-era Radiohead. Ending on the distorted sound of Trelford crying, ‘Naked’ is the story of feeling used from a teenage situationship and a protest about childhoods lost to an unregulated Internet that distributed pornography to a generation.

With the benefit of hindsight, it was perhaps inevitable that an artist as considered and skilled as Sean Trelford would end up making a career out of music, however much he initially resisted it, or indeed because he resisted it. Virtuosos like him don’t stay hidden for long, even if it’s an argument that he’ll modestly push away. ‘You don’t have to be the cleverest person on the planet 




FRIDAY | DOELEN - STUDIO 1 | 20.00

SATURDAY | CLUB CENTRAAL | 18.50

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Ninush (UK)

"beautifully melodic, folk-tinged songs"

Bio provided by artist:
Ninush is the childhood nickname of Nina Lim, a London-based violinist. After six years studying classical violin at the Guildhall School of Music and Drama, she became close with members of Black Country, New Road and a recognisable live presence within the band. Her new solo project explores something more personal, with the support of her many musical friends.

Bio provided by artist:
Ninush is the childhood nickname of Nina Lim, a London-based violinist. After six years studying classical violin at the Guildhall School of Music and Drama, she became close with members of Black Country, New Road and a recognisable live presence within the band. Her new solo project explores something more personal, with the support of her many musical friends.




FRIDAY | WORM 1 | 22.40

SATURDAY | PARADIJSKERK | 18.20

SATURDAY | WATERFRONT | 21.20

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european taxis (UK)

"unmissable jangly guitar songs"

Bio provided by artist:
Cow-punk/drone/pop enthusiasts european taxis formed when members of the Liverpool alternative music scene got together wanting to try a more melodic Belle and Sebastian-esque pop approach to the ‘overly talky-shouty’ UK punk boom. Drawing on the work of The Vaselines, Spacemen 3 and Spiritualized, The Gun Club, Galaxie 500, King Krule and Parquet Courts; european taxis have already left a lasting impression on the UK live circuit in their short time as a group.

‘Hard-edged downstrokes of rhythm guitar steered their post-punk into the enigmatic territory of no-wave. This was an area complimented by their frontman’s style – nonchalant yet fascinating, fitting the equally captivating contradictions in the breezy surf versus brooding baritone vocals. They also achieved this tonal balance with their mastery of grunge-like loud/quiet dynamics. A later song loosely matched the surprising description of being a pop song, but in the sweetly idiosyncratic style of Buzzcocks. Their cymbal-led, crunchy drum fills kept it firmly in the realm of earworm-inclined good pop.’ – James Kilkenny, Louder Than War

Bio provided by artist:
Cow-punk/drone/pop enthusiasts european taxis formed when members of the Liverpool alternative music scene got together wanting to try a more melodic Belle and Sebastian-esque pop approach to the ‘overly talky-shouty’ UK punk boom. Drawing on the work of The Vaselines, Spacemen 3 and Spiritualized, The Gun Club, Galaxie 500, King Krule and Parquet Courts; european taxis have already left a lasting impression on the UK live circuit in their short time as a group.

‘Hard-edged downstrokes of rhythm guitar steered their post-punk into the enigmatic territory of no-wave. This was an area complimented by their frontman’s style – nonchalant yet fascinating, fitting the equally captivating contradictions in the breezy surf versus brooding baritone vocals. They also achieved this tonal balance with their mastery of grunge-like loud/quiet dynamics. A later song loosely matched the surprising description of being a pop song, but in the sweetly idiosyncratic style of Buzzcocks. Their cymbal-led, crunchy drum fills kept it firmly in the realm of earworm-inclined good pop.’ - James Kilkenny, Louder Than War



european taxis (UK) is:

Available for shows at The Official Unofficial

Available for press/radio/other interviews


FRIDAY | DE DOELEN STUDIO 1 | 17.00

SATURDAY | V11 | 19.40

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jo from school (UK)

"a hypnotic falsetto and a sea of sounds"

Bio provided by artist:
20 year old singer songwriter jo from school delivers intriguing lyrics derived from the somewhat chaotic and nostalgic corners of her brain, wrapped in absorbing indie-folk-rock melodies.

Bio provided by artist:
20 year old singer songwriter jo from school delivers intriguing lyrics derived from the somewhat chaotic and nostalgic corners of her brain, wrapped in absorbing indie-folk-rock melodies.




THURSDAY | ROODKAPJE FRONT | 19.20

FRIDAY | BIBLIOTHEEK - CAFÉ | 22.30

SATURDAY | THEATER ROTTERDAM | 16.40

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Tom Forever (AU/NL)

"loud, extravagant, and chaotic"

Bio provided by artist:
Immerse yourself in Pure Entertainment. Open your eyes, breathe in, hold. Unclog your ears, breath out, relax, and experience the presence of Tom Forever. Gallivanting on stage in front of you like a frenzied preacher, Tom Forever summons a bombastic display of hyper-glam punk and evangelic-pop rhythms that will compel you to convulse in jubilation.

It’s big, it’s loud, it’s extravagant, it’s chaotic, and it is undeniably spellbinding. Forever, Tom.

Bio provided by artist:
Immerse yourself in Pure Entertainment. Open your eyes, breathe in, hold. Unclog your ears, breath out, relax, and experience the presence of Tom Forever. Gallivanting on stage in front of you like a frenzied preacher, Tom Forever summons a bombastic display of hyper-glam punk and evangelic-pop rhythms that will compel you to convulse in jubilation.

It’s big, it’s loud, it’s extravagant, it’s chaotic, and it is undeniably spellbinding. Forever, Tom.

 



Tom Forever (AU/NL) is:

Available for shows at The Official Unofficial

Looking for more shows before/after Left of the Dial in Europe

Available for press/radio/other interviews


FRIDAY | WORM 2 | 20.20

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The Youth Play (UK)

"nostalgic yet hooky melodies"

Bio provided by artist:
As the first British rock band to be fronted by a Latin American migrant, The Youth Play prove that British music is at its best when it’s diverse, fearless, and used as a catalyst for change.

Frontman Diego is from Mexico City, and was once an environmental scientist – he met the rest of the band when coming to the UK to study music, as he felt he could make more impact in the world through his poetry and his art. The EP explores how people strive to find joy throughout times of desperation and hopelessness, as his lyrics discuss the migrant experience, the climate crisis, and political injustice.
The band are fresh of an EU tour with Been Stellar, and a UK tour with October Drift.

Bio provided by artist:
As the first British rock band to be fronted by a Latin American migrant, The Youth Play prove that British music is at its best when it's diverse, fearless, and used as a catalyst for change.

Frontman Diego is from Mexico City, and was once an environmental scientist - he met the rest of the band when coming to the UK to study music, as he felt he could make more impact in the world through his poetry and his art. The EP explores how people strive to find joy throughout times of desperation and hopelessness, as his lyrics discuss the migrant experience, the climate crisis, and political injustice.
The band are fresh of an EU tour with Been Stellar, and a UK tour with October Drift.




SATURDAY | THE CUBE (PLAN C) | 17.30

SATURDAY | SALSABILITY | 22.20

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